Stephen Daldry’s multi-award-winning National Theatre production of An Inspector Calls makes a triumphant return, and it’s easy to see why this adaptation of J.B. Priestley’s classic thriller continues to captivate audiences. With its haunting atmosphere, striking staging, and a message that remains as powerful today as when it was first written, this production is a must-see for both devoted theatregoers and those discovering the play for the first time.
At the heart of the drama is Inspector Goole, played impeccably by Tim Treloar. His commanding presence and precise delivery bring an unnerving intensity to the role, holding the audience spellbound as he methodically unravels the Birling family’s carefully constructed façade. Treloar’s performance is meticulous, ensuring that every pause and inflection contributes to the growing tension.
The rest of the cast delivers equally compelling performances. Jackie Morrison as the haughty and unrepentant Mrs. Birling is particularly effective, while Jeffrey Harmer embodies the bullish arrogance of Mr. Birling with great conviction. Leona Allen and George Rowlands shine as Sheila and Eric, capturing their characters’ transformation with depth and nuance. Tom Chapman’s portrayal of Gerald Croft adds layers to the play’s themes of privilege and denial, while Alice Darling’s Edna serves as a quiet but poignant reminder of the working-class struggles at the heart of the story.
Daldry’s direction remains a masterclass in theatrical storytelling. The use of dramatic lighting, an ominous soundscape, and the striking set design—complete with its now-iconic dollhouse-like structure—enhance the play’s sense of foreboding. The rain-drenched, almost cinematic staging creates an eerie, dreamlike quality that underscores the play’s message about social responsibility and the consequences of our actions.
One notable aspect of this particular performance was the audience itself—many of whom were teenagers studying the play as part of their GCSE curriculum. While it was fantastic to see so many young people engaging with live theatre, the production truly resonates with those familiar with the text and its deeper themes. Those already aware of Priestley’s subtext would have found the experience even more rewarding, picking up on the subtle nuances that make this play such an enduring masterpiece. I myself have seen this production twice now.
For those who haven’t yet seen it, An Inspector Calls is playing at Wolverhampton Grand Theatre until Saturday, 8th March. Don’t miss the chance to experience one of the most thrilling and thought-provoking productions of recent years.
Tickets are available here: Wolverhampton Grand Theatre.
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