The Mousetrap – Review

Agatha Christie’s The Mousetrap has been captivating audiences since 1952. And this time, it has arrived at Birmingham’s Alexandra Theatre.

Set within the isolated Monkswell Manor, the story begins with a shocking murder in London before shifting to the remote country guesthouse, where seven strangers find themselves trapped together by a snowstorm. When Detective Sergeant Trotter arrives with a chilling warning, it quickly becomes apparent that the danger is much closer than anyone could have imagined.

And, of course, everyone is a suspect.

Having seen The Mousetrap once before, I was interested to see whether a second viewing would change my experience — and I actually think this is a show that benefits from being seen more than once. There is so much happening beneath the surface, from subtle clues and suspicious interactions that are easy to overlook the first time around. Knowing the story does not necessarily take away from the experience; instead, it allows you to pay closer attention to the smaller details and performances.

There was plenty of laughter throughout the performance, with the audience responding enthusiastically to the jokes and comedic moments woven into the otherwise tense atmosphere. This contrast works incredibly well, giving the audience moments of light relief before drawing them back into the mystery.

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The cast are a particular highlight, with a strong ensemble bringing the eccentric residents and guests of Monkswell Manor to life. Emily Laing leads the cast as Mollie Ralston, alongside Jack Hardwick as Giles Ralston, Thomas Barrett as Christopher Wren, Clare Duffy as Miss Casewell, James Peake as Mr Paravicini, Alfie Richards as Detective Sergeant Trotter, Nicholas Bailey as Major Metcalf and Susan Penhaligon as Mrs Boyle.

What makes The Mousetrap so enduring is its ability to keep audiences questioning what they have seen. Every conversation feels like it could contain a clue, every character has something that makes them suspicious, and the atmosphere continually shifts as new information comes to light.

Even on a second viewing, I found myself questioning certain characters and noticing details that I hadn't fully appreciated the first time. If anything, it reinforced my feeling that The Mousetrap is a production that deserves to be seen more than once.

Whether you're a lifelong fan of Christie, a lover of murder mysteries or simply looking for an entertaining evening at the theatre, The Mousetrap remains a brilliant example of classic British theatre.

Agatha Christie’s The Mousetrap is playing at The Alexandra Theatre, Birmingham until Saturday 12 September 2026.

Tickets are available through ATG Tickets.